*
Miguel Gaydosh (a.k.a. Giguel Maybach, 3000000000am) is a designer and artist based in New York¹ working with partners and environments on interdisciplinary projects across physical and digital media. His practice is focused on developing a methodology that integrates ecologogical principles into the creative industry’s practice, products, and pedagogy.
Miguel researches remnants of human culture and industry in relation to our entangled ecosystems. This manifests in projects that investigate píibs and r̲e̲b̲a̲j̲a̲d̲a̲s, b̲a̲s̲s̲ and a̲m̲b̲i̲e̲n̲(̲c̲e̲)̲̲, deceleration and cultural s̲h̲i̲f̲t̲s, d̲e̲e̲p̲ ̲t̲i̲m̲e̲ and artifacts of environmental histories, d̲e̲c̲o̲n̲s̲t̲r̲u̲c̲t̲i̲n̲g̲ human/n̲a̲t̲u̲r̲e̲ binaries through i̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ i̲n̲t̲e̲r̲f̲a̲c̲e̲s, the porousness of surfaces and a̲g̲e̲n̲c̲y̲ of living m̲a̲t̲e̲r̲i̲a̲l̲s, how semiotic-somatic interfaces can expand our socio-ecological f̲i̲e̲l̲d̲ ̲o̲f̲ ̲v̲i̲e̲w̲, and g̲a̲m̲e̲ ̲t̲h̲e̲o̲r̲y̲ in the a̲n̲t̲h̲r̲o̲p̲o̲s̲c̲e̲n̲e̲.
He holds an MFA from Yale School of Art, where he was a fellow at the Center for Collaborative Arts and Media, and Sustainable Food Program. Ongoing collaborations include websites, printed matter, identities, installations, research, and art direction with Asha Ghosh and Yale Schools of Architecture and the Environment, B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲ and P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲, C̲a̲c̲t̲u̲s̲ ̲S̲t̲o̲r̲e̲ and N̲o̲n̲h̲u̲m̲a̲n̲ ̲T̲e̲a̲c̲h̲e̲r̲s̲, F̲a̲i̲t̲h̲f̲u̲l̲, G̲e̲n̲g̲ and L̲i̲c̲h̲e̲n̲, I̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ ̲L̲i̲b̲r̲a̲r̲y̲, J̲a̲c̲o̲b̲ ̲L̲i̲n̲d̲g̲r̲e̲n̲̲, J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲ and W̲i̲l̲l̲ ̲W̲a̲r̲a̲s̲i̲l̲a̲, L̲u̲k̲a̲s̲ ̲E̲i̲g̲l̲e̲r̲-̲H̲a̲r̲d̲i̲n̲g̲ and G̲n̲u̲h̲r̲, M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲, N̲a̲n̲c̲e̲ ̲K̲l̲e̲h̲m̲ and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲, P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲ and T̲e̲r̲r̲e̲m̲o̲t̲o̲, S̲i̲r̲i̲ ̲L̲e̲e̲ and A̲n̲t̲s̲ ̲o̲f̲ ̲t̲h̲e̲ ̲P̲r̲a̲i̲r̲i̲e̲. Perennial collaboration, feedback, and editing with and from J̲e̲e̲m̲i̲n̲.
This website features a slow minute’s worth of work. Please e̲m̲a̲i̲l̲ for a full portfolio or CV.
A̲r̲e̲n̲a̲
E̲m̲a̲i̲l̲
i̲N̲a̲t̲u̲r̲a̲l̲i̲s̲t̲
I̲n̲s̲t̲a̲g̲r̲a̲m̲
Miguel researches remnants of human culture and industry in relation to our entangled ecosystems. This manifests in projects that investigate píibs and r̲e̲b̲a̲j̲a̲d̲a̲s, b̲a̲s̲s̲ and a̲m̲b̲i̲e̲n̲(̲c̲e̲)̲̲, deceleration and cultural s̲h̲i̲f̲t̲s, d̲e̲e̲p̲ ̲t̲i̲m̲e̲ and artifacts of environmental histories, d̲e̲c̲o̲n̲s̲t̲r̲u̲c̲t̲i̲n̲g̲ human/n̲a̲t̲u̲r̲e̲ binaries through i̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ i̲n̲t̲e̲r̲f̲a̲c̲e̲s, the porousness of surfaces and a̲g̲e̲n̲c̲y̲ of living m̲a̲t̲e̲r̲i̲a̲l̲s, how semiotic-somatic interfaces can expand our socio-ecological f̲i̲e̲l̲d̲ ̲o̲f̲ ̲v̲i̲e̲w̲, and g̲a̲m̲e̲ ̲t̲h̲e̲o̲r̲y̲ in the a̲n̲t̲h̲r̲o̲p̲o̲s̲c̲e̲n̲e̲.
He holds an MFA from Yale School of Art, where he was a fellow at the Center for Collaborative Arts and Media, and Sustainable Food Program. Ongoing collaborations include websites, printed matter, identities, installations, research, and art direction with Asha Ghosh and Yale Schools of Architecture and the Environment, B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲ and P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲, C̲a̲c̲t̲u̲s̲ ̲S̲t̲o̲r̲e̲ and N̲o̲n̲h̲u̲m̲a̲n̲ ̲T̲e̲a̲c̲h̲e̲r̲s̲, F̲a̲i̲t̲h̲f̲u̲l̲, G̲e̲n̲g̲ and L̲i̲c̲h̲e̲n̲, I̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ ̲L̲i̲b̲r̲a̲r̲y̲, J̲a̲c̲o̲b̲ ̲L̲i̲n̲d̲g̲r̲e̲n̲̲, J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲ and W̲i̲l̲l̲ ̲W̲a̲r̲a̲s̲i̲l̲a̲, L̲u̲k̲a̲s̲ ̲E̲i̲g̲l̲e̲r̲-̲H̲a̲r̲d̲i̲n̲g̲ and G̲n̲u̲h̲r̲, M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲, N̲a̲n̲c̲e̲ ̲K̲l̲e̲h̲m̲ and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲, P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲ and T̲e̲r̲r̲e̲m̲o̲t̲o̲, S̲i̲r̲i̲ ̲L̲e̲e̲ and A̲n̲t̲s̲ ̲o̲f̲ ̲t̲h̲e̲ ̲P̲r̲a̲i̲r̲i̲e̲. Perennial collaboration, feedback, and editing with and from J̲e̲e̲m̲i̲n̲.
This website features a slow minute’s worth of work. Please e̲m̲a̲i̲l̲ for a full portfolio or CV.
E̲m̲a̲i̲l̲
i̲N̲a̲t̲u̲r̲a̲l̲i̲s̲t̲
I̲n̲s̲t̲a̲g̲r̲a̲m̲
ˢᵉʳᵛᶦᶜᵉˢ
Graphic Design
Ecological Methods
Research and Strategy
Brand Identity and Creative Direction
Digital and Web
Print and Publication
Type Design
Signage and Wayfinding
Environmental Design
ᴱˣᵖᵉʳᶦᵉⁿᶜᵉ
Cactus Store, New York, NY¹, Los Angeles, CA²
Yale University, New Haven, CT³
Combo, New York, NY¹
Formation, Houston, TX⁵
MTWTF, New York, NY¹
Actual Source, Provo, UT⁴
Tunica, Brooklyn, NY⁶
Visionaire, New York, NY¹
National Park Service, Boston, MA⁷
ᴬᶜᵏⁿᵒʷˡᵉᵈᵍᵉᵐᵉⁿᵗ
I’m the son of hybrid diasporas, born and living in occupied territory, “̲c̲a̲u̲g̲h̲t̲ ̲i̲n̲-̲b̲e̲t̲w̲e̲e̲n̲ ̲W̲e̲s̲t̲e̲r̲n̲ ̲c̲a̲t̲e̲g̲o̲r̲i̲e̲s̲ ̲o̲f̲ ̲b̲e̲i̲n̲g̲.̲”
¹ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲h̲o̲k̲i̲n̲g̲ ̲(̲L̲e̲n̲n̲i̲-̲L̲e̲n̲a̲p̲e̲)̲, M̲a̲t̲i̲n̲e̲c̲o̲c̲k̲, et al.
² C̲h̲u̲m̲a̲s̲h̲, T̲o̲n̲g̲v̲a̲ ̲(̲G̲a̲b̲r̲i̲e̲l̲e̲n̲o̲)̲, et al.
³ Q̲u̲i̲n̲n̲i̲p̲i̲a̲c̲, P̲a̲u̲g̲u̲s̲s̲e̲t̲t̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲ , et al.
⁴ A̲t̲a̲k̲a̲p̲a̲, K̲a̲r̲a̲n̲k̲a̲w̲a̲, S̲a̲n̲a̲, et al.
⁵ G̲o̲s̲h̲u̲t̲e̲, N̲ú̲u̲-̲a̲g̲h̲a̲-̲t̲ʉ̲v̲ʉ̲-̲p̲ʉ̲̱̲ ̲(̲U̲t̲e̲)̲, et al.
⁶ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲h̲o̲k̲i̲n̲g̲ ̲(̲L̲e̲n̲n̲i̲-̲L̲e̲n̲a̲p̲e̲)̲, et al.
⁷ M̲a̲s̲s̲a̲-̲a̲d̲c̲h̲u̲-̲e̲s̲-̲e̲t̲, P̲a̲w̲t̲u̲c̲k̲e̲t̲, et al.
ᴾʳᵒʲᵉᶜᵗˢ
A̲l̲l̲ ̲P̲i̲b̲ ̲S̲l̲o̲w̲ ̲P̲l̲a̲y̲:̲ ̲A̲ ̲S̲e̲d̲i̲m̲e̲n̲t̲a̲t̲i̲o̲n̲ ̲o̲f̲ ̲H̲i̲s̲t̲o̲r̲y̲ ̲a̲n̲d̲ ̲S̲o̲u̲n̲d̲™*
W̲h̲a̲t̲ ̲i̲s̲ ̲g̲r̲a̲p̲h̲i̲c̲ ̲d̲e̲s̲i̲g̲n̲ ̲m̲a̲d̲e̲ ̲o̲f̲:̲ ̲A̲ ̲c̲o̲l̲l̲a̲b̲o̲r̲a̲t̲i̲v̲e̲ ̲a̲r̲c̲h̲a̲e̲o̲l̲o̲g̲y̲ ̲o̲f̲ ̲d̲e̲s̲i̲g̲n̲ ̲i̲n̲f̲r̲a̲s̲t̲r̲u̲c̲t̲u̲r̲e̲s̲™
ᵂᵒʳᵏˢʰᵒᵖˢ, ᴸᵉᶜᵗᵘʳᵉˢ, ᵉᵗᶜ.
Parsons
Pratt
Scope of Work
UConn
VCU
ᶜˡᶦᵉⁿᵗˢ, ᶜᵒˡˡᵃᵇᵒʳᵃᵗᵒʳˢ, ᵉᵗᶜ.
A̲n̲d̲r̲e̲a̲ ̲B̲o̲n̲i̲n̲, M̲m̲u̲n̲d̲o̲
Anonymous Club
Asha Ghosh, K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, Yale School of the Environment, Y̲a̲l̲e̲ ̲U̲r̲b̲a̲n̲*
B̲i̲a̲n̲c̲a̲ ̲I̲b̲a̲r̲l̲u̲c̲e̲a̲
B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲
Carlos Morera, Christian Cummings, Joe Valle, Max Martin, C̲a̲c̲t̲u̲s̲ ̲S̲t̲o̲r̲e̲, N̲o̲n̲h̲u̲m̲a̲n̲ ̲T̲e̲a̲c̲h̲e̲r̲s̲
C̲a̲t̲ ̲W̲e̲n̲t̲w̲o̲r̲t̲h̲
C̲l̲a̲i̲r̲e̲ ̲H̲u̲n̲g̲e̲r̲f̲o̲r̲d̲
Columbia GSAPP, Columbia University
D̲a̲r̲í̲o̲ ̲A̲l̲v̲a̲
Darnell Henderson
David Godshall, T̲e̲r̲r̲e̲m̲o̲t̲o̲
D̲a̲v̲i̲d̲ ̲L̲e̲e̲
D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲
Eda Levenson, Geneva White, S̲c̲o̲p̲e̲ ̲o̲f̲ ̲W̲o̲r̲k̲
E̲l̲i̲ ̲R̲o̲s̲e̲n̲b̲l̲o̲o̲m̲, New Reader
E̲v̲a̲n̲ ̲C̲h̲a̲n̲g̲, S̲t̲e̲v̲e̲n̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲, S̲t̲u̲d̲i̲o̲ ̲I̲g̲u̲a̲n̲a̲
Estela, Flora Bar, M̲a̲t̲t̲o̲s̲ ̲H̲o̲s̲p̲i̲t̲a̲l̲i̲t̲y̲
F̲a̲i̲t̲h̲f̲u̲l̲, R̲e̲s̲e̲r̲v̲e̲ ̲M̲a̲t̲i̲n̲e̲e̲
F̲o̲r̲m̲a̲t̲i̲o̲n̲*
G̲e̲n̲g̲, PTP
G̲u̲a̲r̲i̲o̲n̲e̲x̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲,̲ ̲J̲r̲.̲*
G̲V̲N̲ ̲9̲0̲8̲
H̲e̲r̲d̲i̲m̲a̲s̲ ̲A̲n̲g̲g̲a̲r̲a̲
H̲a̲n̲ ̲G̲a̲o̲
H̲i̲r̲a̲d̲ ̲S̲a̲b̲
I̲l̲j̲a̲ ̲K̲a̲r̲i̲l̲a̲m̲p̲i̲
I̲s̲a̲b̲e̲l̲ ̲L̲i̲n̲g̲, LinYee Yuan, M̲o̲l̲d̲ ̲M̲a̲g̲a̲z̲i̲n̲e̲
J̲a̲c̲o̲b̲ ̲L̲i̲n̲d̲g̲r̲e̲n̲̲, I̲n̲g̲a̲
J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲
J̲e̲s̲s̲e̲ ̲H̲l̲e̲b̲o̲
Jessica Flemming
J̲o̲h̲n̲ ̲S̲a̲m̲p̲s̲o̲n̲
Jonathan Jackson, W̲S̲D̲I̲A̲
Jorge Balleza, S̲a̲b̲o̲t̲a̲j̲e̲ ̲M̲e̲d̲i̲a̲
Joyce Hwang, A̲n̲t̲s̲ ̲o̲f̲ ̲t̲h̲e̲ ̲P̲r̲a̲i̲r̲i̲e̲
J̲u̲l̲i̲a̲n̲ ̲D̲u̲F̲o̲u̲r̲
Kapono Chung, C̲o̲m̲b̲o̲
K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲
Lester Rosso
Linda Goode Bryant, P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲, L̲o̲c̲a̲l̲ ̲N̲e̲t̲w̲o̲r̲k̲*
L̲u̲c̲a̲s̲ ̲Y̲a̲s̲u̲n̲a̲g̲a̲, E̲l̲e̲c̲t̲r̲o̲n̲i̲c̲ ̲E̲n̲t̲o̲m̲o̲l̲o̲g̲y̲
L̲u̲k̲a̲s̲ ̲E̲i̲g̲l̲e̲r̲-̲H̲a̲r̲d̲i̲n̲g̲
M̲a̲r̲i̲a̲h̲ ̲T̲a̲r̲v̲a̲i̲n̲e̲n̲
M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲
M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲
M̲o̲n̲i̲k̲a̲ ̲J̲a̲n̲u̲l̲e̲v̲i̲č̲i̲ū̲t̲ė̲
M̲o̲n̲k̲(e̲y̲)
N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲
Nance Klehm, S̲o̲c̲i̲a̲l̲ ̲E̲c̲o̲l̲o̲g̲i̲e̲s̲
N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲
Nur Abbas, G̲n̲u̲h̲r̲
Office of Sustainability, School of Architecture, School of Art, Yale University
OMA
Oscar Salguero, I̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ ̲L̲i̲b̲r̲a̲r̲y̲
Palmistry
P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲
P̲a̲r̲v̲0̲
Patrik Harkin, Lyxliv
Powrplnt
R̲a̲i̲n̲s̲t̲i̲c̲k̲
R̲a̲y̲ ̲M̲a̲s̲a̲k̲i̲
R̲i̲n̲ ̲K̲i̲m̲ ̲J̲o̲h̲n̲s̲t̲o̲n̲e̲
R̲i̲o̲ ̲R̲o̲y̲e̲̲
S̲.̲A̲ ̲M̲a̲y̲e̲r̲
S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲*
S̲h̲o̲n̲a̲g̲h̲ ̲M̲a̲r̲s̲h̲a̲l̲l̲
S̲i̲r̲i̲ ̲L̲e̲e̲
S̲t̲e̲p̲h̲ ̲L̲a̲u̲
S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲
Tyler Swanner
V̲e̲n̲i̲c̲e̲W̲*
Visionaire
W̲i̲l̲l̲ ̲W̲a̲r̲a̲s̲i̲l̲a̲*
Z̲o̲i̲l̲a̲ ̲C̲o̲c̲-̲C̲h̲a̲n̲g̲
Graphic Design
Ecological Methods
Research and Strategy
Brand Identity and Creative Direction
Digital and Web
Print and Publication
Type Design
Signage and Wayfinding
Environmental Design
ᴱˣᵖᵉʳᶦᵉⁿᶜᵉ
Cactus Store, New York, NY¹, Los Angeles, CA²
Yale University, New Haven, CT³
Combo, New York, NY¹
Formation, Houston, TX⁵
MTWTF, New York, NY¹
Actual Source, Provo, UT⁴
Tunica, Brooklyn, NY⁶
Visionaire, New York, NY¹
National Park Service, Boston, MA⁷
ᴬᶜᵏⁿᵒʷˡᵉᵈᵍᵉᵐᵉⁿᵗ
I’m the son of hybrid diasporas, born and living in occupied territory, “̲c̲a̲u̲g̲h̲t̲ ̲i̲n̲-̲b̲e̲t̲w̲e̲e̲n̲ ̲W̲e̲s̲t̲e̲r̲n̲ ̲c̲a̲t̲e̲g̲o̲r̲i̲e̲s̲ ̲o̲f̲ ̲b̲e̲i̲n̲g̲.̲”
¹ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲h̲o̲k̲i̲n̲g̲ ̲(̲L̲e̲n̲n̲i̲-̲L̲e̲n̲a̲p̲e̲)̲, M̲a̲t̲i̲n̲e̲c̲o̲c̲k̲, et al.
² C̲h̲u̲m̲a̲s̲h̲, T̲o̲n̲g̲v̲a̲ ̲(̲G̲a̲b̲r̲i̲e̲l̲e̲n̲o̲)̲, et al.
³ Q̲u̲i̲n̲n̲i̲p̲i̲a̲c̲, P̲a̲u̲g̲u̲s̲s̲e̲t̲t̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲ , et al.
⁴ A̲t̲a̲k̲a̲p̲a̲, K̲a̲r̲a̲n̲k̲a̲w̲a̲, S̲a̲n̲a̲, et al.
⁵ G̲o̲s̲h̲u̲t̲e̲, N̲ú̲u̲-̲a̲g̲h̲a̲-̲t̲ʉ̲v̲ʉ̲-̲p̲ʉ̲̱̲ ̲(̲U̲t̲e̲)̲, et al.
⁶ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲h̲o̲k̲i̲n̲g̲ ̲(̲L̲e̲n̲n̲i̲-̲L̲e̲n̲a̲p̲e̲)̲, et al.
⁷ M̲a̲s̲s̲a̲-̲a̲d̲c̲h̲u̲-̲e̲s̲-̲e̲t̲, P̲a̲w̲t̲u̲c̲k̲e̲t̲, et al.
ᴾʳᵒʲᵉᶜᵗˢ
A̲l̲l̲ ̲P̲i̲b̲ ̲S̲l̲o̲w̲ ̲P̲l̲a̲y̲:̲ ̲A̲ ̲S̲e̲d̲i̲m̲e̲n̲t̲a̲t̲i̲o̲n̲ ̲o̲f̲ ̲H̲i̲s̲t̲o̲r̲y̲ ̲a̲n̲d̲ ̲S̲o̲u̲n̲d̲™*
W̲h̲a̲t̲ ̲i̲s̲ ̲g̲r̲a̲p̲h̲i̲c̲ ̲d̲e̲s̲i̲g̲n̲ ̲m̲a̲d̲e̲ ̲o̲f̲:̲ ̲A̲ ̲c̲o̲l̲l̲a̲b̲o̲r̲a̲t̲i̲v̲e̲ ̲a̲r̲c̲h̲a̲e̲o̲l̲o̲g̲y̲ ̲o̲f̲ ̲d̲e̲s̲i̲g̲n̲ ̲i̲n̲f̲r̲a̲s̲t̲r̲u̲c̲t̲u̲r̲e̲s̲™
ᵂᵒʳᵏˢʰᵒᵖˢ, ᴸᵉᶜᵗᵘʳᵉˢ, ᵉᵗᶜ.
Parsons
Pratt
Scope of Work
UConn
VCU
ᶜˡᶦᵉⁿᵗˢ, ᶜᵒˡˡᵃᵇᵒʳᵃᵗᵒʳˢ, ᵉᵗᶜ.
A̲n̲d̲r̲e̲a̲ ̲B̲o̲n̲i̲n̲, M̲m̲u̲n̲d̲o̲
Anonymous Club
Asha Ghosh, K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, Yale School of the Environment, Y̲a̲l̲e̲ ̲U̲r̲b̲a̲n̲*
B̲i̲a̲n̲c̲a̲ ̲I̲b̲a̲r̲l̲u̲c̲e̲a̲
B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲
Carlos Morera, Christian Cummings, Joe Valle, Max Martin, C̲a̲c̲t̲u̲s̲ ̲S̲t̲o̲r̲e̲, N̲o̲n̲h̲u̲m̲a̲n̲ ̲T̲e̲a̲c̲h̲e̲r̲s̲
C̲a̲t̲ ̲W̲e̲n̲t̲w̲o̲r̲t̲h̲
C̲l̲a̲i̲r̲e̲ ̲H̲u̲n̲g̲e̲r̲f̲o̲r̲d̲
Columbia GSAPP, Columbia University
D̲a̲r̲í̲o̲ ̲A̲l̲v̲a̲
Darnell Henderson
David Godshall, T̲e̲r̲r̲e̲m̲o̲t̲o̲
D̲a̲v̲i̲d̲ ̲L̲e̲e̲
D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲
Eda Levenson, Geneva White, S̲c̲o̲p̲e̲ ̲o̲f̲ ̲W̲o̲r̲k̲
E̲l̲i̲ ̲R̲o̲s̲e̲n̲b̲l̲o̲o̲m̲, New Reader
E̲v̲a̲n̲ ̲C̲h̲a̲n̲g̲, S̲t̲e̲v̲e̲n̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲, S̲t̲u̲d̲i̲o̲ ̲I̲g̲u̲a̲n̲a̲
Estela, Flora Bar, M̲a̲t̲t̲o̲s̲ ̲H̲o̲s̲p̲i̲t̲a̲l̲i̲t̲y̲
F̲a̲i̲t̲h̲f̲u̲l̲, R̲e̲s̲e̲r̲v̲e̲ ̲M̲a̲t̲i̲n̲e̲e̲
F̲o̲r̲m̲a̲t̲i̲o̲n̲*
G̲e̲n̲g̲, PTP
G̲u̲a̲r̲i̲o̲n̲e̲x̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲,̲ ̲J̲r̲.̲*
G̲V̲N̲ ̲9̲0̲8̲
H̲e̲r̲d̲i̲m̲a̲s̲ ̲A̲n̲g̲g̲a̲r̲a̲
H̲a̲n̲ ̲G̲a̲o̲
H̲i̲r̲a̲d̲ ̲S̲a̲b̲
I̲l̲j̲a̲ ̲K̲a̲r̲i̲l̲a̲m̲p̲i̲
I̲s̲a̲b̲e̲l̲ ̲L̲i̲n̲g̲, LinYee Yuan, M̲o̲l̲d̲ ̲M̲a̲g̲a̲z̲i̲n̲e̲
J̲a̲c̲o̲b̲ ̲L̲i̲n̲d̲g̲r̲e̲n̲̲, I̲n̲g̲a̲
J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲
J̲e̲s̲s̲e̲ ̲H̲l̲e̲b̲o̲
Jessica Flemming
J̲o̲h̲n̲ ̲S̲a̲m̲p̲s̲o̲n̲
Jonathan Jackson, W̲S̲D̲I̲A̲
Jorge Balleza, S̲a̲b̲o̲t̲a̲j̲e̲ ̲M̲e̲d̲i̲a̲
Joyce Hwang, A̲n̲t̲s̲ ̲o̲f̲ ̲t̲h̲e̲ ̲P̲r̲a̲i̲r̲i̲e̲
J̲u̲l̲i̲a̲n̲ ̲D̲u̲F̲o̲u̲r̲
Kapono Chung, C̲o̲m̲b̲o̲
K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲
Lester Rosso
Linda Goode Bryant, P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲, L̲o̲c̲a̲l̲ ̲N̲e̲t̲w̲o̲r̲k̲*
L̲u̲c̲a̲s̲ ̲Y̲a̲s̲u̲n̲a̲g̲a̲, E̲l̲e̲c̲t̲r̲o̲n̲i̲c̲ ̲E̲n̲t̲o̲m̲o̲l̲o̲g̲y̲
L̲u̲k̲a̲s̲ ̲E̲i̲g̲l̲e̲r̲-̲H̲a̲r̲d̲i̲n̲g̲
M̲a̲r̲i̲a̲h̲ ̲T̲a̲r̲v̲a̲i̲n̲e̲n̲
M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲
M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲
M̲o̲n̲i̲k̲a̲ ̲J̲a̲n̲u̲l̲e̲v̲i̲č̲i̲ū̲t̲ė̲
M̲o̲n̲k̲(e̲y̲)
N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲
Nance Klehm, S̲o̲c̲i̲a̲l̲ ̲E̲c̲o̲l̲o̲g̲i̲e̲s̲
N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲
Nur Abbas, G̲n̲u̲h̲r̲
Office of Sustainability, School of Architecture, School of Art, Yale University
OMA
Oscar Salguero, I̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ ̲L̲i̲b̲r̲a̲r̲y̲
Palmistry
P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲
P̲a̲r̲v̲0̲
Patrik Harkin, Lyxliv
Powrplnt
R̲a̲i̲n̲s̲t̲i̲c̲k̲
R̲a̲y̲ ̲M̲a̲s̲a̲k̲i̲
R̲i̲n̲ ̲K̲i̲m̲ ̲J̲o̲h̲n̲s̲t̲o̲n̲e̲
R̲i̲o̲ ̲R̲o̲y̲e̲̲
S̲.̲A̲ ̲M̲a̲y̲e̲r̲
S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲*
S̲h̲o̲n̲a̲g̲h̲ ̲M̲a̲r̲s̲h̲a̲l̲l̲
S̲i̲r̲i̲ ̲L̲e̲e̲
S̲t̲e̲p̲h̲ ̲L̲a̲u̲
S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲
Tyler Swanner
V̲e̲n̲i̲c̲e̲W̲*
Visionaire
W̲i̲l̲l̲ ̲W̲a̲r̲a̲s̲i̲l̲a̲*
Z̲o̲i̲l̲a̲ ̲C̲o̲c̲-̲C̲h̲a̲n̲g̲
™
All Pib Slow Play: A Sedimentation of History and Sound, with Geovanni Barrios, Isabel Rooper, Jacqueline Munno, Jeemin Shim, Kyle Richardson, Pancho Blood, Sandra Trigueros and her family, and Zoila Coc-Chang, 2021–ongoing*
What is graphic design made of: A collaborative archaeology of design infrastructures, with Asha Ghosh, Ayham Ghraowi, Claire Hungerford, Han Gao, Jeemin Shim, Jessica Flemming, Lester Rosso, M.C. Madrigal, Mike Tully, Osvald Landmark, and Sam Callahan, 2021–ongoing
*
Del Suelo al Cielo (From Soil to Sky): All Pib Slow Play Volume II, design and installation with programming and curation, with Andrea Bonin, Eduardo Reyes, Tony Lowe, et al., featuring Elysia Crampton Chuquimia, Hellotones, Mold Magazine, Nudo, and the Street Vendor Project, 2023*
Local Network, physical and digital design, with Bryant Wells and Linda Goode Bryant, 2022–ongoing
Being Doing Things, First Last Booklet Series #9, 2023
Nonhuman Teachers, visual identity and website design, with Carlos Morera, Christian Cummings, and Joe Valle, 2023
Tommy Holohan – Pulse Love / Heaven’s Passage, design and art direction, with Tjugo Lax, 2022
Will Warasila, website design, with Jeemin Shim and Sarah Riazati, 2023
Parv0 – Lost Instrumentals Vol. 2, design and art direction, with Dylan Hausthor, 2022
All Pib Slow Play: A Sedimentation of History and Sound Volume I, with Pancho Blood, et al,. 2021–ongoing*
and here in, exhibition design, with Alvin Ashiatey, Jessica Flemming, Rok Hudobivnik, Kathryn-kay Johnson, Mengjie Liu, Mike Tully, and Immanuel Yang, 2022
Melting Type (Printing with: Lead), research, 2021–ongoing
Micro Type (Printing with: Plastic), research, 2021–ongoing
A discrepancy, bark and laser-engraving, 2021
Carriers, book design, 2021–ongoing
Various artists – Bubbles, cover design, 2021
[sic], book design, 2021
-ish, Paprika! Vol. 6 Iss. 9, newsprint design, with Han Gao, 2021
Location of Existing, installation, with Jeemin Shim, 2021
Brook Garden, garden design coordination, with Ben Derlan, Caroline Kraska, Joe Signore, Nivanthi Karunaratne, et al., 2021–ongoing
Sentinel, research, with Han Gao, 2021
In This Pile, installation, with Dylan Hausthor, Jonas Luebbers, Lucas Yasunaga, Nabil Harb, and Pancho Blood, 2021*
OK Together, exhibition identity, book and website design, with Han Gao and Hannah Tjaden, 2021
Palestine in Three Acts, script design, with Nabil Harb, 2021
Collapsing the Margins, compilation and essay, with Ilona O’Connor, 2020
Blight (Printing with I: Grass), book design, with Amity Doolittle, 2020
Compression, research, 2020
Guarionex Rodriguez, Jr., website design, with Adrian Struszczyk and Jeemin Shim, 2020
Post, visual identity and signage system guidelines, with Formation, MTWTF, and OMA, 2018
Untitled (for the trolls), custom keyboard, 2016
Formation, website design, with Bryant Wells, 2019
Parv0 – Lost Instrumentals Vol. 1, cover design, 2020
The Revolution Will Be Stopped Halfway: Oscar Niemeyer in Algeria, book design, with MTWTF, 2018
Slugabed Live Show, poster designs, 2017
Ilja Karilampi × The Community Paris, t-shirt design and production, 2017
Samuel Reinhard, website design, with Mackenzie Davidson and Pancho Blood, 2016
Mixpak at Red Bull Culture Clash, animations, 2016
Palmistry, flyer designs, 2018
Sun Angels – Hemma, cover design and art direction, with Guarionex Rodriguez, Jr., 2019
Powrplnt at Alone Together by Ryder Ripps, animated exhibition program, 2015
Chief Keef – Bussin (DJ NJ Drone Edit), video direction and animation, with GVN 908 and Rainfield, 2019
NKC China Tour, flyer designs, 2018
Lyxliv Launch, event and exhibition production and design, with Ilja Karilampi, 2017
Shine & Criss, flyer designs, 2015–2017
Untitled (for Jeemin), illustration, 2017
Visionaire: Experiences in Art & Fashion, book design and archive management, with Eli Rosenbloom, Greg Foley, and Jeemin Shim, 2016
Visionaire 34 Paris Artist Commercial, video animation, with Greg Lynn, 2016
Copout – Passions, cover design, 2020
Adamas1080p – Nightmares, cover design and art direction, with S.A Mayer, 2019
VeniceW, ecomm website design, with Bryant Wells and Jeemin Shim, 2019
Monk(ey), with Dotty Gaydosh
︎
ᴸᵃˢᵗ ᵘᵖᵈᵃᵗᵉᵈ ³⁰ ᴺᵒᵛᵉᵐᵇᵉʳ, ²⁰²³
ᵀʳʸᶦⁿᵍ ᵗᵒ ˢˡᵒʷ ᵈᵒʷⁿ
ᴸᵃˢᵗ ᵘᵖᵈᵃᵗᵉᵈ ³⁰ ᴺᵒᵛᵉᵐᵇᵉʳ, ²⁰²³
ᵀʳʸᶦⁿᵍ ᵗᵒ ˢˡᵒʷ ᵈᵒʷⁿ