*







                                                               
                                                     

                                                                                          
                     
In(ter)dependent designer based in New York¹, working intimately with partners and environments on interdisciplinary projects. This spring I completed my MFA at Yale School of Art² as a fellow at CCAM and Yale Farm. I’ve been thinking about tamales and c̲u̲m̲b̲i̲a̲ ̲r̲e̲b̲a̲j̲a̲d̲a̲, a̲m̲b̲i̲e̲n̲(̲c̲e̲)̲̲, b̲a̲s̲s̲ and artifacts of environmental histories, d̲e̲c̲o̲n̲s̲t̲r̲u̲c̲t̲i̲n̲g̲ human-n̲a̲t̲u̲r̲e̲ binaries through the entanglements of i̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ i̲n̲t̲e̲r̲f̲a̲c̲e̲s, the porousness of surfaces and a̲g̲e̲n̲c̲y̲ of living m̲a̲t̲e̲r̲i̲a̲l̲s, how semiotic-somatic interfaces can expand our ecological f̲i̲e̲l̲d̲ ̲o̲f̲ ̲v̲i̲e̲w̲and g̲a̲m̲e̲ ̲t̲h̲e̲o̲r̲y̲ in the a̲n̲t̲h̲r̲o̲p̲o̲s̲c̲e̲n̲e̲.

Ongoing collaborations include research, websites, books, identities, strategy and creative direction with Asha Ghosh and K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲ and Jedy Lau and Linda Goode Bryant and Marielle Ingram, Darnell Henderson and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲ and N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲, D̲a̲v̲i̲d̲ ̲L̲e̲e̲ and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲, D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲, Elisa Iturbe and K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲, F̲a̲i̲t̲h̲f̲u̲l̲Jessica Flemming and M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲, M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲, P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲ , and S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲. Gratitude to J̲e̲e̲m̲i̲n̲, family and friends for perennial support and insight.

A̲r̲e̲n̲a̲ 
E̲m̲a̲i̲l̲       
R̲a̲d̲i̲o̲
ᴱˣᵖᵉʳᶦᵉⁿᶜᵉ
    Yale University, New Haven, CT²
    Combo, New York, NY¹
    Formation, Houston, TX³
    MTWTF, New York, NY¹
    Actual Source, Provo, UT⁴
    Tunica, Brooklyn, NY⁵
    Visionaire, New York, NY¹
    National Park Service, Boston, MA⁶

ᴬᶜᵏⁿᵒʷˡᵉᵈᵍᵉᵐᵉⁿᵗ
I’m the son of hybrid diasporas, born and living in occupied territory, “̲c̲a̲u̲g̲h̲t̲ ̲i̲n̲-̲b̲e̲t̲w̲e̲e̲n̲ ̲W̲e̲s̲t̲e̲r̲n̲ ̲c̲a̲t̲e̲g̲o̲r̲i̲e̲s̲ ̲o̲f̲ ̲b̲e̲i̲n̲g̲.̲”
    ¹ L̲e̲n̲a̲p̲e̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲, et al.
    ² Q̲u̲i̲n̲n̲i̲p̲i̲a̲c̲, P̲a̲u̲g̲u̲s̲s̲e̲t̲t̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲ , et al.
    ³ A̲t̲a̲k̲a̲p̲a̲, K̲a̲r̲a̲n̲k̲a̲w̲a̲, S̲a̲n̲a̲, et al.
    ⁴ G̲o̲s̲h̲u̲t̲e̲, N̲ú̲u̲-̲a̲g̲h̲a̲-̲t̲ʉ̲v̲ʉ̲-̲p̲ʉ̲̱̲ ̲(̲U̲t̲e̲)̲, et al.
    ⁵ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲, et al.
    ⁶ M̲a̲s̲s̲a̲-̲a̲d̲c̲h̲u̲-̲e̲s̲-̲e̲t̲, P̲a̲w̲t̲u̲c̲k̲e̲t̲, et al.
                  
ᴾʳᵒʲᵉᶜᵗˢ
    A̲l̲l̲ ̲P̲i̲b̲ ̲S̲l̲o̲w̲ ̲P̲l̲a̲y̲:̲ ̲A̲ ̲s̲e̲d̲i̲m̲e̲n̲t̲a̲t̲i̲o̲n̲ ̲o̲f̲ ̲h̲i̲s̲t̲o̲r̲y̲ ̲a̲n̲d̲ ̲s̲o̲u̲n̲d̲
    W̲h̲a̲t̲ ̲i̲s̲ ̲g̲r̲a̲p̲h̲i̲c̲ ̲d̲e̲s̲i̲g̲n̲ ̲m̲a̲d̲e̲ ̲o̲f̲:̲ ̲A̲ ̲c̲o̲l̲l̲a̲b̲o̲r̲a̲t̲i̲v̲e̲ ̲a̲r̲c̲h̲a̲e̲o̲l̲o̲g̲y̲ ̲o̲f̲ ̲d̲e̲s̲i̲g̲n̲ ̲i̲n̲f̲r̲a̲s̲t̲r̲u̲c̲t̲u̲r̲e̲s̲

ᴾᵃʳᵗⁿᵉʳˢ, ᵉᵗᶜ
    A̲m̲i̲n̲a̲ ̲R̲o̲s̲s̲
    A̲n̲n̲a̲ ̲S̲a̲g̲s̲t̲r̲ö̲m̲
    A̲n̲o̲n̲y̲m̲o̲u̲s̲ ̲C̲l̲u̲b̲
    Athena Quispe
    Asha Ghosh, K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, Yale School of the Environment
    A̲y̲h̲a̲m̲ ̲G̲h̲r̲a̲o̲w̲i̲
    B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲
    C̲l̲a̲i̲r̲e̲ ̲H̲u̲n̲g̲e̲r̲f̲o̲r̲d̲
    GSAPP, Columbia University
    D̲a̲l̲e̲n̲a̲ ̲T̲r̲a̲n̲ and H̲i̲r̲a̲d̲ ̲S̲a̲b̲
    D̲a̲r̲í̲o̲ ̲A̲l̲v̲a̲
    Darnell Henderson
    D̲a̲v̲i̲d̲ ̲L̲e̲e̲
    D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲
    Eda Levenson, Geneva White, S̲O̲W̲
    E̲l̲i̲ ̲R̲o̲s̲e̲n̲b̲l̲o̲o̲m̲, New Reader
    Elisa Iturbe, Yale School of Architecture
    Estela, Flora Bar, Mattos Hospitality
    F̲a̲i̲t̲h̲f̲u̲l̲R̲e̲s̲e̲r̲v̲e̲ ̲M̲a̲t̲i̲n̲e̲e̲
    Tyler Swanner, F̲o̲r̲m̲a̲t̲i̲o̲n̲*
    G̲u̲a̲r̲i̲o̲n̲e̲x̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲,̲ ̲J̲r̲.̲*
    G̲V̲N̲ ̲9̲0̲8̲
    H̲a̲n̲ ̲G̲a̲o̲
    I̲l̲j̲a̲ ̲K̲a̲r̲i̲l̲a̲m̲p̲i̲
    J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲
    J̲e̲s̲s̲e̲ ̲H̲l̲e̲b̲o̲
    Jessica Flemming
    J̲u̲l̲i̲a̲n̲ ̲D̲u̲F̲o̲u̲r̲
    K̲a̲p̲o̲n̲o̲ ̲C̲h̲u̲n̲g̲, C̲o̲m̲b̲o̲ 
    K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲
    Lester Rosso
    Linda Goode Bryant, Marielle Ingram, P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲
    L̲u̲c̲a̲s̲ ̲Y̲a̲s̲u̲n̲a̲g̲a̲
    M̲e̲v̲ ̲L̲u̲n̲a̲
    M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲
    M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲
    Mixpak Records
    M̲o̲n̲i̲k̲a̲ ̲J̲a̲n̲u̲l̲e̲v̲i̲č̲i̲ū̲t̲ė̲
    M̲o̲n̲k̲(e̲y̲)                                                 
    Morgan Kerber
    N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲
    N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲
    N̲o̲c̲t̲u̲r̲n̲a̲l̲ ̲M̲e̲d̲i̲c̲i̲n̲e̲
    OMA
    O̲s̲v̲a̲l̲d̲ ̲L̲a̲n̲d̲m̲a̲r̲k̲
    Palmistry
    P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲
    Powrplnt
    R̲a̲d̲ ̲M̲o̲r̲a̲
    Ray Masaki, R̲a̲n̲
    R̲i̲n̲ ̲K̲i̲m̲ ̲J̲o̲h̲n̲s̲t̲o̲n̲e̲
    S̲.̲A̲ ̲M̲a̲y̲e̲r̲
    S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲*
    S̲h̲o̲n̲a̲g̲h̲ ̲M̲a̲r̲s̲h̲a̲l̲l̲D̲e̲n̲i̲e̲r̲
    Superabundance
    S̲t̲e̲p̲h̲ ̲L̲a̲u̲
    S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲, Château Tent
    V̲e̲n̲i̲c̲e̲W̲*
    Visionaire
    CCAM, Office of Sustainability, School of Art, Sustainable Food Program, Yale University
    Z̲o̲i̲l̲a̲ ̲C̲o̲c̲-̲C̲h̲a̲n̲g̲



                                                         


                                              
         

*
    All Pib Slow Play: A Sedimentation of History and Sound, with Pancho Blood, et al,. 2021–ongoing
    and here in, exhibition design, with Alvin Ashiatey, Jessica Flemming, Rok Hudobivnik, Kathryn-kay Johnson, Mengjie Liu, Mike Tully and Immanuel Yang, 2022
    Melting Type (Printing with: Lead), research, 2021–ongoing
    Micro Type (Printing with: Plastic), research, 2021–ongoing
    A discrepancy, bark and laser-engraving, 2021
    Carriers, book design, 2021–ongoing
    Various artists – Bubbles, cover design, 2021   
    [sic], book design, 2021
    -ish, Paprika! Vol. 6 Iss. 9, newsprint design, with Han Gao, 2021
    Location of Existing, installation, with Jeemin Shim, 2021  
    Traceroute, website design, with Pancho Blood, 2020
    Brook Garden, garden design coordination, with Ben Derlan, Caroline Kraska, Joe Signore, Nivanthi Karunaratne, et al., 2021–ongoing
    Sentinel, research, with Han Gao, 2021
    In This Pile, installation, with Dylan Hausthor, Jonas Luebbers, Lucas Yasunaga, Nabil Harb and Pancho Blood, 2021*
    OK Together, exhibition identity, book and website design, with Han Gao and Hannah Tjaden, 2021
    Palestine in Three Acts, script design, with Nabil Harb, 2021
    Collapsing the Margins, compilation and essay, with Ilona O’Connor, 2020
    Bright (Printing with I: Grass), book design, with Amity Doolittle, 2020
    Compression, research, 2020
    Guarionex Rodriguez, Jr., website design, with Adrian Struszczyk and Jeemin Shim, 2020
    Post, visual identity and signage system guidelines, with Formation, MTWTF and OMA, 2018
    Untitled (for the trolls), custom keyboard, 2016      
    Formation, website design, with Bryant Wells, 2019
    Pep Rally, visual identity proposal, 2020
    Parv0 – Lost Instrumentals Vol 1, cover design, 2020
    The Revolution Will Be Stopped Halfway: Oscar Niemeyer in Algeria, book design, with MTWTF, 2018
    Slugabed Live Show, poster designs, 2017
    Ilja Karilampi × The Community Paris, t-shirt design and production, 2017
    Samuel Reinhard, website design, with Mackenzie Davidson and Pancho Blood, 2016
    Mixpak at Red Bull Culture Clash, animations, 2016
    Palmistry, flyer designs, 2018
    Sun Angels – Hemma, cover design and art direction, with Guarionex Rodriguez, Jr., 2019
    Powrplnt at Alone Together by Ryder Ripps, animated exhibition program, 2015
    Chief Keef – Bussin (DJ NJ Drone Edit), video direction and animation, with GVN 908 and Rainfield, 2019                 
    NKC China Tour, flyer designs, 2018
    Lyxliv Launch, event and exhibition production and design, with Ilja Karilampi, 2017
    Shine & Criss, flyer designs, 2015–2017
    Untitled (for Jeemin), illustration, 2017
    Visionaire: Experiences in Art & Fashion, book design and archive management, with Eli Rosenbloom, Greg Foley and Jeemin Shim, 2016
    Visionaire 34 Paris Artist Commercial, video animation, with Greg Lynn, 2016
    Copout – Passions, cover design, 2020
    Adamas1080p – Nightmares, cover design and art direction, with S.A Mayer, 2019
    VeniceW, website design, with Bryant Wells and Jeemin Shim, 2019
    Monk(ey), with Dotty Gaydosh


    All Pib Slow Play: A Sedimentation of History and Sound, with Pancho Blood, et al., 2021–ongoing
    What is graphic design made of: A collaborative archaeology of design infrastructures, with Jeemin Shim, et al., 2021–ongoing

                   
                                                            




                                                                                                                                                                            
                          

︎                                    
¹⁵:³⁹:⁴³, ¹⁹ ˢᵉᵖᵗᵉᵐᵇᵉʳ, ²⁰²²
@³⁴.⁰⁹⁹⁵⁹⁸⁶,⁻¹¹⁸.²⁹⁵⁴⁴⁹,¹⁶ᶻ/ᵈᵃᵗᵃ⁼!⁴ᵐ⁶!³ᵐ⁵!¹ˢ⁰ˣ⁰:⁰ˣᶠ⁰⁹⁶ᶜᵇ⁶ᵉ⁹³⁵ᶠ⁵ᵈᵉ⁷!⁷ᵉ²!⁸ᵐ²!³ᵈ³⁴.⁰⁹⁹⁹⁸⁹⁴!⁴ᵈ⁻¹¹⁸.²⁹⁰⁵⁹⁹⁶
ᴮʳᵉᵉᶻʸ, ⁷⁷ ᵃⁿᵈ ˢᵘⁿⁿʸ