*
In(ter)dependent designer based in New York¹, working intimately with partners and environments on interdisciplinary projects. This spring I completed my MFA at Yale School of Art² as a fellow at CCAM and Yale Farm. I’ve been thinking about tamales and c̲u̲m̲b̲i̲a̲ ̲r̲e̲b̲a̲j̲a̲d̲a̲, a̲m̲b̲i̲e̲n̲(̲c̲e̲)̲̲, b̲a̲s̲s̲ and artifacts of environmental histories, d̲e̲c̲o̲n̲s̲t̲r̲u̲c̲t̲i̲n̲g̲ human-n̲a̲t̲u̲r̲e̲ binaries through the entanglements of i̲n̲t̲e̲r̲s̲p̲e̲c̲i̲e̲s̲ i̲n̲t̲e̲r̲f̲a̲c̲e̲s, the porousness of surfaces and a̲g̲e̲n̲c̲y̲ of living m̲a̲t̲e̲r̲i̲a̲l̲s, how semiotic-somatic interfaces can expand our ecological f̲i̲e̲l̲d̲ ̲o̲f̲ ̲v̲i̲e̲w̲, and g̲a̲m̲e̲ ̲t̲h̲e̲o̲r̲y̲ in the a̲n̲t̲h̲r̲o̲p̲o̲s̲c̲e̲n̲e̲.
Ongoing collaborations include research, websites, books, identities, strategy and creative direction with Asha Ghosh and K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲ and Jedy Lau and Linda Goode Bryant and Marielle Ingram, Darnell Henderson and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲ and N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲, D̲a̲v̲i̲d̲ ̲L̲e̲e̲ and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲, D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲, Elisa Iturbe and K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲, F̲a̲i̲t̲h̲f̲u̲l̲, Jessica Flemming and M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲, M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲, N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲, P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲, S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲ , and S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲. Gratitude to J̲e̲e̲m̲i̲n̲, family and friends for perennial support and insight.
A̲r̲e̲n̲a̲
E̲m̲a̲i̲l̲
R̲a̲d̲i̲o̲
Ongoing collaborations include research, websites, books, identities, strategy and creative direction with Asha Ghosh and K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲ and Jedy Lau and Linda Goode Bryant and Marielle Ingram, Darnell Henderson and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲ and N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲, D̲a̲v̲i̲d̲ ̲L̲e̲e̲ and J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲, D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲, Elisa Iturbe and K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲, F̲a̲i̲t̲h̲f̲u̲l̲, Jessica Flemming and M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲, M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲, N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲, P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲, S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲ , and S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲. Gratitude to J̲e̲e̲m̲i̲n̲, family and friends for perennial support and insight.
E̲m̲a̲i̲l̲
R̲a̲d̲i̲o̲
ᴱˣᵖᵉʳᶦᵉⁿᶜᵉ
Yale University, New Haven, CT²
Combo, New York, NY¹
Formation, Houston, TX³
MTWTF, New York, NY¹
Actual Source, Provo, UT⁴
Tunica, Brooklyn, NY⁵
Visionaire, New York, NY¹
National Park Service, Boston, MA⁶
ᴬᶜᵏⁿᵒʷˡᵉᵈᵍᵉᵐᵉⁿᵗ
I’m the son of hybrid diasporas, born and living in occupied territory, “̲c̲a̲u̲g̲h̲t̲ ̲i̲n̲-̲b̲e̲t̲w̲e̲e̲n̲ ̲W̲e̲s̲t̲e̲r̲n̲ ̲c̲a̲t̲e̲g̲o̲r̲i̲e̲s̲ ̲o̲f̲ ̲b̲e̲i̲n̲g̲.̲”
¹ L̲e̲n̲a̲p̲e̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲, et al.
² Q̲u̲i̲n̲n̲i̲p̲i̲a̲c̲, P̲a̲u̲g̲u̲s̲s̲e̲t̲t̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲ , et al.
³ A̲t̲a̲k̲a̲p̲a̲, K̲a̲r̲a̲n̲k̲a̲w̲a̲, S̲a̲n̲a̲, et al.
⁴ G̲o̲s̲h̲u̲t̲e̲, N̲ú̲u̲-̲a̲g̲h̲a̲-̲t̲ʉ̲v̲ʉ̲-̲p̲ʉ̲̱̲ ̲(̲U̲t̲e̲)̲, et al.
⁵ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲, et al.
⁶ M̲a̲s̲s̲a̲-̲a̲d̲c̲h̲u̲-̲e̲s̲-̲e̲t̲, P̲a̲w̲t̲u̲c̲k̲e̲t̲, et al.
ᴾʳᵒʲᵉᶜᵗˢ
A̲l̲l̲ ̲P̲i̲b̲ ̲S̲l̲o̲w̲ ̲P̲l̲a̲y̲:̲ ̲A̲ ̲s̲e̲d̲i̲m̲e̲n̲t̲a̲t̲i̲o̲n̲ ̲o̲f̲ ̲h̲i̲s̲t̲o̲r̲y̲ ̲a̲n̲d̲ ̲s̲o̲u̲n̲d̲™
W̲h̲a̲t̲ ̲i̲s̲ ̲g̲r̲a̲p̲h̲i̲c̲ ̲d̲e̲s̲i̲g̲n̲ ̲m̲a̲d̲e̲ ̲o̲f̲:̲ ̲A̲ ̲c̲o̲l̲l̲a̲b̲o̲r̲a̲t̲i̲v̲e̲ ̲a̲r̲c̲h̲a̲e̲o̲l̲o̲g̲y̲ ̲o̲f̲ ̲d̲e̲s̲i̲g̲n̲ ̲i̲n̲f̲r̲a̲s̲t̲r̲u̲c̲t̲u̲r̲e̲s̲™
ᴾᵃʳᵗⁿᵉʳˢ, ᵉᵗᶜ
A̲m̲i̲n̲a̲ ̲R̲o̲s̲s̲
A̲n̲n̲a̲ ̲S̲a̲g̲s̲t̲r̲ö̲m̲
A̲n̲o̲n̲y̲m̲o̲u̲s̲ ̲C̲l̲u̲b̲
Athena Quispe
Asha Ghosh, K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, Yale School of the Environment
A̲y̲h̲a̲m̲ ̲G̲h̲r̲a̲o̲w̲i̲
B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲
C̲l̲a̲i̲r̲e̲ ̲H̲u̲n̲g̲e̲r̲f̲o̲r̲d̲
GSAPP, Columbia University
D̲a̲l̲e̲n̲a̲ ̲T̲r̲a̲n̲ and H̲i̲r̲a̲d̲ ̲S̲a̲b̲
D̲a̲r̲í̲o̲ ̲A̲l̲v̲a̲
Darnell Henderson
D̲a̲v̲i̲d̲ ̲L̲e̲e̲
D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲
Eda Levenson, Geneva White, S̲O̲W̲
E̲l̲i̲ ̲R̲o̲s̲e̲n̲b̲l̲o̲o̲m̲, New Reader
Elisa Iturbe, Yale School of Architecture
Estela, Flora Bar, Mattos Hospitality
F̲a̲i̲t̲h̲f̲u̲l̲, R̲e̲s̲e̲r̲v̲e̲ ̲M̲a̲t̲i̲n̲e̲e̲
Tyler Swanner, F̲o̲r̲m̲a̲t̲i̲o̲n̲*
G̲u̲a̲r̲i̲o̲n̲e̲x̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲,̲ ̲J̲r̲.̲*
G̲V̲N̲ ̲9̲0̲8̲
H̲a̲n̲ ̲G̲a̲o̲
I̲l̲j̲a̲ ̲K̲a̲r̲i̲l̲a̲m̲p̲i̲
J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲
J̲e̲s̲s̲e̲ ̲H̲l̲e̲b̲o̲
Jessica Flemming
J̲u̲l̲i̲a̲n̲ ̲D̲u̲F̲o̲u̲r̲
K̲a̲p̲o̲n̲o̲ ̲C̲h̲u̲n̲g̲, C̲o̲m̲b̲o̲
K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲
Lester Rosso
Linda Goode Bryant, Marielle Ingram, P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲
L̲u̲c̲a̲s̲ ̲Y̲a̲s̲u̲n̲a̲g̲a̲
M̲e̲v̲ ̲L̲u̲n̲a̲
M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲
M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲
Mixpak Records
M̲o̲n̲i̲k̲a̲ ̲J̲a̲n̲u̲l̲e̲v̲i̲č̲i̲ū̲t̲ė̲
M̲o̲n̲k̲(e̲y̲)
Morgan Kerber
N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲
N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲
N̲o̲c̲t̲u̲r̲n̲a̲l̲ ̲M̲e̲d̲i̲c̲i̲n̲e̲
OMA
O̲s̲v̲a̲l̲d̲ ̲L̲a̲n̲d̲m̲a̲r̲k̲
Palmistry
P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲
Powrplnt
R̲a̲d̲ ̲M̲o̲r̲a̲
Ray Masaki, R̲a̲n̲
R̲i̲n̲ ̲K̲i̲m̲ ̲J̲o̲h̲n̲s̲t̲o̲n̲e̲
S̲.̲A̲ ̲M̲a̲y̲e̲r̲
S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲*
S̲h̲o̲n̲a̲g̲h̲ ̲M̲a̲r̲s̲h̲a̲l̲l̲, D̲e̲n̲i̲e̲r̲
Superabundance
S̲t̲e̲p̲h̲ ̲L̲a̲u̲
S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲, Château Tent
V̲e̲n̲i̲c̲e̲W̲*
Visionaire
CCAM, Office of Sustainability, School of Art, Sustainable Food Program, Yale University
Z̲o̲i̲l̲a̲ ̲C̲o̲c̲-̲C̲h̲a̲n̲g̲
Yale University, New Haven, CT²
Combo, New York, NY¹
Formation, Houston, TX³
MTWTF, New York, NY¹
Actual Source, Provo, UT⁴
Tunica, Brooklyn, NY⁵
Visionaire, New York, NY¹
National Park Service, Boston, MA⁶
ᴬᶜᵏⁿᵒʷˡᵉᵈᵍᵉᵐᵉⁿᵗ
I’m the son of hybrid diasporas, born and living in occupied territory, “̲c̲a̲u̲g̲h̲t̲ ̲i̲n̲-̲b̲e̲t̲w̲e̲e̲n̲ ̲W̲e̲s̲t̲e̲r̲n̲ ̲c̲a̲t̲e̲g̲o̲r̲i̲e̲s̲ ̲o̲f̲ ̲b̲e̲i̲n̲g̲.̲”
¹ L̲e̲n̲a̲p̲e̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲, et al.
² Q̲u̲i̲n̲n̲i̲p̲i̲a̲c̲, P̲a̲u̲g̲u̲s̲s̲e̲t̲t̲, W̲a̲p̲p̲i̲n̲g̲e̲r̲ , et al.
³ A̲t̲a̲k̲a̲p̲a̲, K̲a̲r̲a̲n̲k̲a̲w̲a̲, S̲a̲n̲a̲, et al.
⁴ G̲o̲s̲h̲u̲t̲e̲, N̲ú̲u̲-̲a̲g̲h̲a̲-̲t̲ʉ̲v̲ʉ̲-̲p̲ʉ̲̱̲ ̲(̲U̲t̲e̲)̲, et al.
⁵ C̲a̲n̲a̲r̲s̲i̲e̲, L̲e̲n̲a̲p̲e̲, et al.
⁶ M̲a̲s̲s̲a̲-̲a̲d̲c̲h̲u̲-̲e̲s̲-̲e̲t̲, P̲a̲w̲t̲u̲c̲k̲e̲t̲, et al.
A̲l̲l̲ ̲P̲i̲b̲ ̲S̲l̲o̲w̲ ̲P̲l̲a̲y̲:̲ ̲A̲ ̲s̲e̲d̲i̲m̲e̲n̲t̲a̲t̲i̲o̲n̲ ̲o̲f̲ ̲h̲i̲s̲t̲o̲r̲y̲ ̲a̲n̲d̲ ̲s̲o̲u̲n̲d̲™
W̲h̲a̲t̲ ̲i̲s̲ ̲g̲r̲a̲p̲h̲i̲c̲ ̲d̲e̲s̲i̲g̲n̲ ̲m̲a̲d̲e̲ ̲o̲f̲:̲ ̲A̲ ̲c̲o̲l̲l̲a̲b̲o̲r̲a̲t̲i̲v̲e̲ ̲a̲r̲c̲h̲a̲e̲o̲l̲o̲g̲y̲ ̲o̲f̲ ̲d̲e̲s̲i̲g̲n̲ ̲i̲n̲f̲r̲a̲s̲t̲r̲u̲c̲t̲u̲r̲e̲s̲™
ᴾᵃʳᵗⁿᵉʳˢ, ᵉᵗᶜ
A̲m̲i̲n̲a̲ ̲R̲o̲s̲s̲
A̲n̲n̲a̲ ̲S̲a̲g̲s̲t̲r̲ö̲m̲
A̲n̲o̲n̲y̲m̲o̲u̲s̲ ̲C̲l̲u̲b̲
Athena Quispe
Asha Ghosh, K̲a̲r̲e̲n̲ ̲S̲e̲t̲o̲, Yale School of the Environment
A̲y̲h̲a̲m̲ ̲G̲h̲r̲a̲o̲w̲i̲
B̲r̲y̲a̲n̲t̲ ̲W̲e̲l̲l̲s̲
C̲l̲a̲i̲r̲e̲ ̲H̲u̲n̲g̲e̲r̲f̲o̲r̲d̲
GSAPP, Columbia University
D̲a̲l̲e̲n̲a̲ ̲T̲r̲a̲n̲ and H̲i̲r̲a̲d̲ ̲S̲a̲b̲
D̲a̲r̲í̲o̲ ̲A̲l̲v̲a̲
Darnell Henderson
D̲a̲v̲i̲d̲ ̲L̲e̲e̲
D̲y̲l̲a̲n̲ ̲H̲a̲u̲s̲t̲h̲o̲r̲
Eda Levenson, Geneva White, S̲O̲W̲
E̲l̲i̲ ̲R̲o̲s̲e̲n̲b̲l̲o̲o̲m̲, New Reader
Elisa Iturbe, Yale School of Architecture
Estela, Flora Bar, Mattos Hospitality
F̲a̲i̲t̲h̲f̲u̲l̲, R̲e̲s̲e̲r̲v̲e̲ ̲M̲a̲t̲i̲n̲e̲e̲
Tyler Swanner, F̲o̲r̲m̲a̲t̲i̲o̲n̲*
G̲u̲a̲r̲i̲o̲n̲e̲x̲ ̲R̲o̲d̲r̲i̲g̲u̲e̲z̲,̲ ̲J̲r̲.̲*
G̲V̲N̲ ̲9̲0̲8̲
H̲a̲n̲ ̲G̲a̲o̲
I̲l̲j̲a̲ ̲K̲a̲r̲i̲l̲a̲m̲p̲i̲
J̲e̲e̲m̲i̲n̲ ̲S̲h̲i̲m̲
J̲e̲s̲s̲e̲ ̲H̲l̲e̲b̲o̲
Jessica Flemming
J̲u̲l̲i̲a̲n̲ ̲D̲u̲F̲o̲u̲r̲
K̲a̲p̲o̲n̲o̲ ̲C̲h̲u̲n̲g̲, C̲o̲m̲b̲o̲
K̲y̲l̲e̲ ̲R̲i̲c̲h̲a̲r̲d̲s̲o̲n̲
Lester Rosso
Linda Goode Bryant, Marielle Ingram, P̲r̲o̲j̲e̲c̲t̲ ̲E̲a̲t̲s̲
L̲u̲c̲a̲s̲ ̲Y̲a̲s̲u̲n̲a̲g̲a̲
M̲e̲v̲ ̲L̲u̲n̲a̲
M̲i̲k̲e̲ ̲T̲u̲l̲l̲y̲
M̲i̲r̲a̲j̲ ̲P̲a̲t̲e̲l̲
Mixpak Records
M̲o̲n̲i̲k̲a̲ ̲J̲a̲n̲u̲l̲e̲v̲i̲č̲i̲ū̲t̲ė̲
M̲o̲n̲k̲(e̲y̲)
Morgan Kerber
N̲a̲b̲i̲l̲ ̲H̲a̲r̲b̲
N̲i̲c̲k̲ ̲M̲a̲s̲s̲a̲r̲e̲l̲l̲i̲
N̲o̲c̲t̲u̲r̲n̲a̲l̲ ̲M̲e̲d̲i̲c̲i̲n̲e̲
OMA
O̲s̲v̲a̲l̲d̲ ̲L̲a̲n̲d̲m̲a̲r̲k̲
Palmistry
P̲a̲n̲c̲h̲o̲ ̲B̲l̲o̲o̲d̲
Powrplnt
R̲a̲d̲ ̲M̲o̲r̲a̲
Ray Masaki, R̲a̲n̲
R̲i̲n̲ ̲K̲i̲m̲ ̲J̲o̲h̲n̲s̲t̲o̲n̲e̲
S̲.̲A̲ ̲M̲a̲y̲e̲r̲
S̲a̲m̲ ̲R̲e̲i̲n̲h̲a̲r̲d̲*
S̲h̲o̲n̲a̲g̲h̲ ̲M̲a̲r̲s̲h̲a̲l̲l̲, D̲e̲n̲i̲e̲r̲
Superabundance
S̲t̲e̲p̲h̲ ̲L̲a̲u̲
S̲t̲e̲p̲h̲e̲n̲ ̲B̲o̲g̲d̲a̲n̲, Château Tent
V̲e̲n̲i̲c̲e̲W̲*
Visionaire
CCAM, Office of Sustainability, School of Art, Sustainable Food Program, Yale University
Z̲o̲i̲l̲a̲ ̲C̲o̲c̲-̲C̲h̲a̲n̲g̲
*
All Pib Slow Play: A Sedimentation of History and Sound, with Pancho Blood, et al,. 2021–ongoing
and here in, exhibition design, with Alvin Ashiatey, Jessica Flemming, Rok Hudobivnik, Kathryn-kay Johnson, Mengjie Liu, Mike Tully and Immanuel Yang, 2022
Melting Type (Printing with: Lead), research, 2021–ongoing
Micro Type (Printing with: Plastic), research, 2021–ongoing
A discrepancy, bark and laser-engraving, 2021
Carriers, book design, 2021–ongoing
Various artists – Bubbles, cover design, 2021
[sic], book design, 2021
-ish, Paprika! Vol. 6 Iss. 9, newsprint design, with Han Gao, 2021
Location of Existing, installation, with Jeemin Shim, 2021
Traceroute, website design, with Pancho Blood, 2020
Brook Garden, garden design coordination, with Ben Derlan, Caroline Kraska, Joe Signore, Nivanthi Karunaratne, et al., 2021–ongoing
Sentinel, research, with Han Gao, 2021
In This Pile, installation, with Dylan Hausthor, Jonas Luebbers, Lucas Yasunaga, Nabil Harb and Pancho Blood, 2021*
OK Together, exhibition identity, book and website design, with Han Gao and Hannah Tjaden, 2021
Palestine in Three Acts, script design, with Nabil Harb, 2021
Collapsing the Margins, compilation and essay, with Ilona O’Connor, 2020
Bright (Printing with I: Grass), book design, with Amity Doolittle, 2020
Compression, research, 2020
Guarionex Rodriguez, Jr., website design, with Adrian Struszczyk and Jeemin Shim, 2020
Post, visual identity and signage system guidelines, with Formation, MTWTF and OMA, 2018
Untitled (for the trolls), custom keyboard, 2016
Formation, website design, with Bryant Wells, 2019
Pep Rally, visual identity proposal, 2020
Parv0 – Lost Instrumentals Vol 1, cover design, 2020
The Revolution Will Be Stopped Halfway: Oscar Niemeyer in Algeria, book design, with MTWTF, 2018
Slugabed Live Show, poster designs, 2017
Ilja Karilampi × The Community Paris, t-shirt design and production, 2017
Samuel Reinhard, website design, with Mackenzie Davidson and Pancho Blood, 2016
Mixpak at Red Bull Culture Clash, animations, 2016
Palmistry, flyer designs, 2018
Sun Angels – Hemma, cover design and art direction, with Guarionex Rodriguez, Jr., 2019
Powrplnt at Alone Together by Ryder Ripps, animated exhibition program, 2015
Chief Keef – Bussin (DJ NJ Drone Edit), video direction and animation, with GVN 908 and Rainfield, 2019
NKC China Tour, flyer designs, 2018
Lyxliv Launch, event and exhibition production and design, with Ilja Karilampi, 2017
Shine & Criss, flyer designs, 2015–2017
Untitled (for Jeemin), illustration, 2017
Visionaire: Experiences in Art & Fashion, book design and archive management, with Eli Rosenbloom, Greg Foley and Jeemin Shim, 2016
Visionaire 34 Paris Artist Commercial, video animation, with Greg Lynn, 2016
Copout – Passions, cover design, 2020
Adamas1080p – Nightmares, cover design and art direction, with S.A Mayer, 2019
VeniceW, website design, with Bryant Wells and Jeemin Shim, 2019
Monk(ey), with Dotty Gaydosh
™
All Pib Slow Play: A Sedimentation of History and Sound, with Pancho Blood, et al., 2021–ongoing
What is graphic design made of: A collaborative archaeology of design infrastructures, with Jeemin Shim, et al., 2021–ongoing
︎
¹⁵:³⁹:⁴³, ¹⁹ ˢᵉᵖᵗᵉᵐᵇᵉʳ, ²⁰²²
@³⁴.⁰⁹⁹⁵⁹⁸⁶,⁻¹¹⁸.²⁹⁵⁴⁴⁹,¹⁶ᶻ/ᵈᵃᵗᵃ⁼!⁴ᵐ⁶!³ᵐ⁵!¹ˢ⁰ˣ⁰:⁰ˣᶠ⁰⁹⁶ᶜᵇ⁶ᵉ⁹³⁵ᶠ⁵ᵈᵉ⁷!⁷ᵉ²!⁸ᵐ²!³ᵈ³⁴.⁰⁹⁹⁹⁸⁹⁴!⁴ᵈ⁻¹¹⁸.²⁹⁰⁵⁹⁹⁶
ᴮʳᵉᵉᶻʸ, ⁷⁷ ᵃⁿᵈ ˢᵘⁿⁿʸ
¹⁵:³⁹:⁴³, ¹⁹ ˢᵉᵖᵗᵉᵐᵇᵉʳ, ²⁰²²
@³⁴.⁰⁹⁹⁵⁹⁸⁶,⁻¹¹⁸.²⁹⁵⁴⁴⁹,¹⁶ᶻ/ᵈᵃᵗᵃ⁼!⁴ᵐ⁶!³ᵐ⁵!¹ˢ⁰ˣ⁰:⁰ˣᶠ⁰⁹⁶ᶜᵇ⁶ᵉ⁹³⁵ᶠ⁵ᵈᵉ⁷!⁷ᵉ²!⁸ᵐ²!³ᵈ³⁴.⁰⁹⁹⁹⁸⁹⁴!⁴ᵈ⁻¹¹⁸.²⁹⁰⁵⁹⁹⁶
ᴮʳᵉᵉᶻʸ, ⁷⁷ ᵃⁿᵈ ˢᵘⁿⁿʸ